Archive for the ‘Cameras and Lenses’ Category
It’s been a while since I revived my now irreparably broken Polaroid Land Camera 450. But that camera lives on in a way, with its Zeiss Ikon finder now mounted to my recently acquired Land Camera 240. For my first pack of color film with the camera, I set up a light in my cousin’s back yard and took a few portraits of Bridget and Suki:
Between the 1967 Land Camera 240 and my all-plastic Colorpack II, I’ve become quite addicted to shooting pack film lately. Here are some frames taken with the latter, which, though lacking in finesse when compared to the 240, is still a blast to shoot with:
One of the cool things about the Colorpack II is that it takes those Blue Dot Flash Cubes. Not a very refined light source, but still a ton of fun:
You know, in today’s very digital world, pulling a developed print out of one of these beautiful cameras feels downright miraculous. I think it’s about time I loaded my freezer up with pack film!
Polaroid Land Camera 240 | Polaroid Colorpack II | Fuji FP-100C | Fuji FP-3000B
Logged more time with Sony’s powerhouse of a compact camera this weekend. This thing is a serious imaging machine!
Do I love it? Yes. The image quality is absolutely stunning, as expected, and the camera’s build quality is top notch. But I only borrowed this thing to keep me occupied while I waited for my rangefinder to come out of repair. Once I get my M3 back, I doubt I’ll miss the RX1. =)
All Images: Sony Cybershot DSC-RX1
Sony RX1 | 1/30 sec, f/2, ISO 6400
Got my hands on a brand spanking new Sony RX1 this evening! Despite the high price and the little time I’ve actually spent with this camera so far, I can already tell the RX1 is going to make some waves. It’s basically a point and shoot, and in practice it operates just like you’d expect a compact camera to operate. The fact that it’s packing a 35mm film-sized sensor, however, is just crazy considering how incredibly small the camera actually is.
Sony RX1 | 1/50 sec, f/2, ISO 800
Built into the RX1 is a nice chunk of Zeiss glass, a 35mm f/2 Sonnar. You won’t be swapping lenses with this thing, which actually doesn’t bother me too much since I’ve been shooting with my fixed-lens Fuji x100 for such a long time. What does bother me is that the RX1 costs more than double what I paid for the x100. Ouch.
Sony RX1 | 1/80 sec, f/2, ISO 3200
Sony RX1 | 1/40 sec, f/2, ISO 6400
I’ll need to wait until Adobe releases RAW support for the RX1’s files before I can post process the camera’s output myself. For now, the images in this post are all camera-processed JPEGs.
These images where shot hand-held at very high ISO. Pretty impressive performance low-light performance, which is not too surprising considering the big fat sensor Sony stuffed into this thing. More impressions to come on the RX1 as I evaluate it over the next week. Stay tuned!
I had a chance to shoot with the brand new Nikon D600 this weekend. It’s so new that I have no way to post process the camera’s RAW files on my computer, so the frames in this post are camera-processed JPEGs with a little oomph added to them in Lightroom.
The D600 feels just like using a slightly heavier, fatter D7000 with an FX format sensor. Typical of Nikon’s latest digital cameras, the image quality is quite fantastic, but a couple of things immediately bugged me with this camera. First of all, the AF system covers a very small center portion of the viewfinder compared to most other DSLRs, and in practice it seems a little silly selecting between the 39 AF points, all of which are sardined into that little center area.
The other thing? Maximum native flash sync on the D600 is 1/200 instead of the 1/250 I’m used to with Nikon bodies. The small flash lover in me goes “awwwwwwwwww.”
Of course, there’s a lot to like about the camera too. It’s relatively small and light weight for a full frame shooter, it’s packin’ an awesome sensor, and the price makes FX more accessible than ever before. But eh, I already have a compact full framer that I’m pretty happy with =)
Images: Nikon D600 + Nikkor 28mm f/1.8G / Nikkor 50mm f/1.8G
Do you shoot film? Then why didn’t you tell me this would be so addictive!!!?!?!?
Right now I’m trying to run a different roll through the M3 each time as I get a feel for the camera. These are scans from a roll of Fuji 160s. So far I think I’m liking Tri-X the most for shooting with the M3, but this color negative film is pretty nice stuff:
Leica M3 + 50mm f/1.4 Summilux | Leicameter MC | Fuji 160S
I’ve been searching for a Leica M3 for a good long time, and got a fantastic deal from an original owner who purchased this beauty in Munich back in 1961. I couldn’t believe how well he cared for it. I loaded the first roll of film I could get my hands on and started shooting right away.
In the week since I got it, the camera has been everywhere with me, and I’m absolutely hooked! First roll is back from the lab, and I’ve posted a few frames from it below:
Leica M3 (single stroke) + 50mm f/1.4 Summilux | Leicameter MC | Kodak Portra 400
I totally love the Olympus OM-D. The Pana-Leica 25mm, Olympus 12 and 45mm M. Zuiko primes, and the body itself all fit in my camera bag with plenty of room to spare, so I can take the entire kit wherever I go.
The OM-D checks a lot of the right boxes. Fast, responsive, quiet, well-built, small, light, good-looking. It’s weather-sealed, has a great tilt and swivel touch screen, an awesome EVF, plenty of physical control points, plenty of amazing lenses to choose from, and the new 5-axis stabilization works so well it’s scary.
Grainy-Filmy look brought to you by VSCO (Kodak Portra 800). Black and whites are out of camera. I’m really looking forward to logging more time with this system.
Olympus OM-D E-M5 | 12mm f/2 | 25mm f/1.4 | 45mm f/1.8