This is Miru. He’s a 7 month old Shiba Inu, and we get to babysit him until Sunday. Ahhhhh, reminds me of the good old times when Suki was a puppy….a bad puppy
Miru is relatively easy to photograph.
Suki and Miru together? Pretty much impossible to photograph.
I’m sure we’ll have some great times together this weekend. This should be a good way to see if we can handle bringing a second Shiba into our home one of these days.
Images: Leica M9 | 35mm f/2 Summicron
My cousin and his wife celebrated their first year of marriage last month during their visit from Colombia. I accompanied them on their last day in San Francisco last week, running some last-minute errands and stopping to grab a few frames every now and then.
So long you two. Happy anniversary :)
So, seeing as I didn’t even have enough time to finish a single roll on Josh and Vanessa, the rest of this post will have to consist of, uh, more Shiba pictures. Surprise surprise.
Miru (left) is a Shiba puppy who in no way shape or form was able to get Suki to care about his existence. We made them hang out anyway:
One of the cameras I shot along side the RX1 last week was a medium format beauty I borrowed from a friend: the Fuji GF670. The GF670 is a modern, professional grade film camera with a very bright rangefinder, an 80mm lens that folds into the body, and the ability to shoot in either 6×6 or 6×7 using 120 or 220 film. I loaded some expired Provia 400 in the camera and very carefully worked through each frame. Hey, you only get twelve 6×6 shots per roll of 120, so you gotta take your time with this thing!
I think this Fuji would be near the top of my list of medium format cameras to purchase when the time comes. It’s extremely well made, is dead simple to load and operate, and the included Fujinon 80mm is excellent. I had a blast with this thing.
Fuji GF670 | Kodak Provia 400 (expired)
Logged more time with Sony’s powerhouse of a compact camera this weekend. This thing is a serious imaging machine!
Do I love it? Yes. The image quality is absolutely stunning, as expected, and the camera’s build quality is top notch. But I only borrowed this thing to keep me occupied while I waited for my rangefinder to come out of repair. Once I get my M3 back, I doubt I’ll miss the RX1. =)
All Images: Sony Cybershot DSC-RX1
Sony RX1 | 1/30 sec, f/2, ISO 6400
Got my hands on a brand spanking new Sony RX1 this evening! Despite the high price and the little time I’ve actually spent with this camera so far, I can already tell the RX1 is going to make some waves. It’s basically a point and shoot, and in practice it operates just like you’d expect a compact camera to operate. The fact that it’s packing a 35mm film-sized sensor, however, is just crazy considering how incredibly small the camera actually is.
Sony RX1 | 1/50 sec, f/2, ISO 800
Built into the RX1 is a nice chunk of Zeiss glass, a 35mm f/2 Sonnar. You won’t be swapping lenses with this thing, which actually doesn’t bother me too much since I’ve been shooting with my fixed-lens Fuji x100 for such a long time. What does bother me is that the RX1 costs more than double what I paid for the x100. Ouch.
Sony RX1 | 1/80 sec, f/2, ISO 3200
Sony RX1 | 1/40 sec, f/2, ISO 6400
I’ll need to wait until Adobe releases RAW support for the RX1′s files before I can post process the camera’s output myself. For now, the images in this post are all camera-processed JPEGs.
These images where shot hand-held at very high ISO. Pretty impressive performance low-light performance, which is not too surprising considering the big fat sensor Sony stuffed into this thing. More impressions to come on the RX1 as I evaluate it over the next week. Stay tuned!
Just got two rolls of very different black and white films back from the lab. First up is a roll of T-MAX 100. The film’s low speed allows me to shoot at wider apertures on my M3 during the day, and its fine grain makes for some really clean output. It’s an excellent choice for shooting black and white with a high speed lens:
^My cousin Josh, heavily armed.
Ok, on to the Fuji Neopan 400. The Neopan’s punchier contrast seems to suit my shooting style pretty well, and it looks to be a great choice for shooting in dramatically lit environments. Here are a few select frames from that roll:
These will be my last two rolls for a bit while I wait for my camera to come back from repair. She’s getting her rangefinder realigned, which is supposed to take about a week…. A week too long!!!
Leica M3 + 50mm f/1.4 Summilux | Kodak T-MAX 100 / Fuji Neopan 400 | Process + Scan by Light Waves Imaging
Spent a little time this past weekend with my cousin Josh and his wife Vanessa, who was diagnosed with cancer right before they got married in Colombia last year. Together they overcame the disease, and I couldn’t be happier for them. Vanessa is as strong as she is beautiful.
Having Josh around again in the flesh has sparked a lot of reminiscing about our childhood together. We were some silly kids back in the day. Good times.
So I’ve been shooting a lot of black and white lately, which at the moment I prefer over color film. Maybe it’s just a phase. =)
This particular role of Tri-X took me a while to get through, but here goes: