Posts Tagged ‘bokeh’
Fuji X100 | 1/60 sec, f/4, ISO 1250
This is definitely what I call starting the morning right. Waking up extra early for the sole purpose of chilling at Four Barrel over a cappuccino? Worth it:
For me, coming here during the week means coming when the shop opens. People trickle in here and there, but it’s certainly not busy.
Later in the morning, however, Four Barrel is bustling. The pour-over coffee station opens up, and people pile in to get their fill of individually brewed cups of coffee. After grabbing my own cup, I head out side to hang out with Suki and Bridge at the public “parklet.” We sip away while watching the Valencia street traffic whiz by.
I’m not a morning person at all actually. I just really, really love coffee.
Early Morning Images: Fuji X100 | Film Sim: ASTIA (JPEG output)
Late Morning Images: Fuji X100 | Film Sim: Provia (JPEG output)
Nikon D700 + Nikkor AFS 24mm f/1.4G
There’s a place in my bag as well as my heart for both zoom and prime glass. I don’t think I could shoot exclusively with just one or the other, because both types can accomplish different things in various situations. For ultimate depth of field control and maximum speed, however, you can’t beat a fast prime.
When I use any of my prime lenses, I really like to take advantage of what truly sets them apart from my zooms, so I almost always leave them wide open at f/1.4 all day long. Sure you can shoot a lens like this at f/5.6 and get great results (yaaawn), but I love shooting at 1.4, just because I can! Every shot you see in this post was taken at f/1.4.
At f/1.4, your camera becomes an absolute light bucket, even compared to a “fast” f/2.8 zoom. This allows you to shoot at night or indoors under low lighting with ease. In general, the wider your focal length, the lower shutter speed you can hand-hold. So shooting wide open with say a 24mm f/1.4 lens in front of a full frame sensor means you can happily keep snapping away under a moon-lit sky. Amazing stuff.
Let’s not forget control over depth of field with a super fast lens! Getting your subject pin sharp while the entire background melts out of focus gives you images with a unique sense of dimension and depth that, at least for me, never gets old. Many fast primes, like Nikon’s incredible 24mm f/1.4 AFS lens, are also insanely sharp wide open. Just be careful with your focus; the limited depth of field you get at really wide apertures means you have to nail your focus perfectly.
I’m all about wide angle lenses. If I had to pick one focal length as my absolute favorite, I’d have to say 24mm. To me it’s just wide enough to make a powerful impact on the perception of depth in an image if used correctly, and it’s a great focal length for everything from landscapes and street photography to portraits (yes, portraits!). Here’s a few more images from my catalog from the last couple of weeks. Enjoy!
These images are part of a new gallery I’m putting together on my website called “Random Moments.” It’s a less directed gallery compared to my others, very open and creatively free. It’s an expression of my life through the lens as I carry my camera with me everywhere I go. At least for now, it’s a gallery of images I’ve taken with prime lenses. Check it out at gallery.jonathanflemingphotography.com!
My favorite lens ever….really!
Nikon D700 + Nikkor AFS 24mm f1.4G and Nikkor AFS 50mm f/1.4G
This morning, while getting ready for work, I noticed that my wife left something behind with my name on it by the door. A shiny new Nikkor AFS 50mm f/1.4G. I wish I had the day off so I could spend more time with it, but for now I just quickly took a snap of Suki waiting patiently to be let out into the yard. Thank you Bridget! Happy anniversary =)
Nikon D300s+ Nikkor AFS 50mm f/1.4G at f/1.4, 1/160 second ISO200
Just found this image buried in my archives. Almost forgot about it! I met this cat on a leisurely stroll in Kyoto this past spring. He was perched on a ledge overlooking someone’s backyard, relaxing and enjoying the calm day. Took this with one of my favorite lenses, the Tokina 50-135mm f/2.8. I think the image demonstrates pretty nicely the lens’ pleasing rendering of out-of-focus areas, as well as its sharpness at maximum aperture.
Shot Specs: Nikon D300s + Tokina 50-135mm f/2.8 at 135mm f/2.8 1/160 Sec ISO220