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Posts Tagged ‘f2.0

Panasonic Lumix DMC-LX3 Version 2.0

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Nikon D300s + Nikkor AFS 60mm f/2.8 Micro at f/8 ISO 200 1/200 SEcond

Nikon D300s + Nikkor AFS 60mm f/2.8 Micro at f/8 ISO 200 1/200 Second

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UPDATE:

Panasonic has just re-released the latest software update for the Lumix DMC-LX3 as version 2.1 as promised. Go download it!
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Towards the end of last month Panasonic released a firmware update to my beloved Panasonic LX3. Some highlight features provided in the update include a bump in autofocus speed, improved white balance (including a white balance bracket mode), highlight warning display in playback mode, lens focal length resume after a power cycle, a new 1:1 aspect ratio, and a really cool “high dynamic” scene mode.

Shortly after announcing the update, Panasonic suspended it due to bugs in the firmware that are causing issues including loss of custom settings under certain circumstances.  I haven’t run into these issues yet myself, but one thing’s for sure, I’m glad I snuck in a download before they suspended it. I love these new features! According to Panasonic’s website, the revised v2.0 software should be ready any day now.

The high dynamic mode is one of my favorite features. I had a little time to put it to the test over the weekend. Available processing modes within High Dynamic are Normal, Art, and Black and White. The camera processes the images to really pull detail out of shadow areas and pump up the color, with really interesting results:

I took the image below in the LX3’s intelligent auto mode.

Panasonic DMC-LX3 - Ai auto mode - 6.3mm f/7.1 ISO80 1/1000 Second

Panasonic DMC-LX3 - Ai auto mode - 6.3mm f/7.1 ISO80 1/1000 Second

Ok, so not the most interesting shot in the world, but there’s a lot of dynamic range here, right? Harsh, mid-day light mixed with dark shadow areas.

I took the same scene using High Dynamic Art mode:

Panasonic Lumix DMC-LX3 -High Dynamic Art- 6.3mm f/7.1 ISO400 1/1000 Second
Panasonic Lumix DMC-LX3 -High Dynamic Art- 6.3mm f/7.1 ISO400 1/1000 Second

Here we have a much more balanced exposure, and a scene that looks much closer to what I was actually seeing here with my own eyes. Check out the details in the tires, the shadow on the lower right of the frame, and the trees and sky to the upper left. With some post processing in Lightroom, I probably could have achieved a similar effect, but I tend to use my Lumix as a fun, jpeg processing, take everywhere with me camera, so this added feature is a big plus. One thing to note is that ISO is fixed at 400 in High Dynamic mode.

I’m really happy that Panasonic is still seeking to make improvements to a camera that is now over a year old. I absolutely loved my Lx3 already, and now I love it even more!

Written by Jonathan

October 21, 2009 at 5:46 am

Jenny Lewis at the House of Blues, New Orleans LA

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Panasonic Lumix DMC-LX3

Panasonic Lumix DMC-LX3

I don’t think I’d ever buy plane tickets only weeks before flying out for a one night stay halfway across the country where temperatures easily exceed 100 degrees Fahrenheit, only to spend hours in various airports along the way because cheap tickets mean many connecting flights. Unless of course, I’m going to see Jenny Lewis.

Panasonic Lumix DMC-LX3

Panasonic Lumix DMC-LX3

My wife orchestrated this whirlwind trip after we missed seeing Jenny in concert at the Fillmore in San Francisco (it was my fault, but that’s another story).  Jenny performed on June 26th 2009 at the House of Blues in the French Quarter area of New Orleans. Yes, this is old news, but hey, I just started this blog! We landed in Louisiana at dinnertime, had dinner at the venue’s own restaurant, enjoyed the concert, which ended around 11pm, woke up at 5am the next day and flew back home. That was it!

No cameras were technically allowed in the venue, which ruled out bringing my D90 to the event. But stealthy use of

Panasonic Lumix DMC-LX3

Panasonic Lumix DMC-LX3

my Lumix LX3 allowed me to grab some decent shots of the performance. Most of them I recorded in black and white, processed by the camera. There seemed to be too much of a mixture of color on the stage from multiple light sources, and so I felt that black and white captures were much more pleasing to the eye.

One thing I wish I could have done was do a photo walk through the French Quarter. But I had absolutely no time to do so unfortunately. One day I’ll have to return to gorge on some real southern cooking, and capture some great images of this interesting area. But NOT during the summer!

I couldn’t remember all of the songs that Jenny sang, but my wife remembered the following, in no particular order:  See Fernando, Jack Killed Mom, Pretty Bird, Rise Up with Fists!!!, Happy (a slow version), The Charging Sky, You Are What You Love, Handle With Care, Trying My Best To Love You, Carpetbaggers, The Next Messiah,  and an acoustic solo version of Silver Lining. The Encore was three (or 3.5) songs: a brief “Man in the Mirror” acapella tribute to Michael Jackson (RIP), Acid Tongue, a new song (didn’t catch the title), and Born Secular.

P1030595

Panasonic Lumix DMC-LX3

Though we were exhausted after our return home, and sick of airports (there were TWO connections on the way back), the experience was worth it. Life needs crazy spontaneity  sometimes, and Jenny’s performance was stellar and unforgettable. She has an incredible stage presence, a great personality, and of course, a beautiful and unique voice.

You know what else was unforgettable? Losing my $500 dollar earphones somewhere along the trip. Ouch…

P1030616

Panasonic Lumix DMC-LX3