Posts Tagged ‘puppy’
This is Miru. He’s a 7 month old Shiba Inu, and we get to babysit him until Sunday. Ahhhhh, reminds me of the good old times when Suki was a puppy….a bad puppy ;)
Miru is relatively easy to photograph.
Suki and Miru together? Pretty much impossible to photograph.
I’m sure we’ll have some great times together this weekend. This should be a good way to see if we can handle bringing a second Shiba into our home one of these days. :)
Images: Leica M9 | 35mm f/2 Summicron
I was cleaning out unwanted images from my archives last night when I stumbled upon some old images of Suki when she was a puppy. These are photos that I took long before I started blogging, so I think they deserve their own post today. The original jpegs were pretty flat and needed a little Lightroom 4 Beta love to wake them up, but here they are!
She was such a little rascal back then. In fact, our nickname for her was “Bad Doggy.” Not kidding! Of course, how could you ever be mad at that face?
The images above were taken with my first DSLR, a Nikon D70 with an 18-70mm lens. I borrowed it from my dad to start taking puppy pictures of Suki back in the day, and then hogged it for so long that he just let me have it. Actually, these first few pictures of Suki represent the starting point of my more passionate journey into digital photography, and she and I have both grown a little in our own respective ways since I took them:
I really wish I had more pictures of Suki as a puppy. It was such a short period of our lives, and was documented primarily using the crummy camera built into the original, first generation iPhone. What little we do have, however, we cherish =)
A fellow photographer, and as I just discovered today, super-awesome illustrator sent me the image you see above this morning. Inspired by my work this year for 52 Weeks of Suki, the original hand-drawn artwork is on it’s way to me in the mail. What a cool gift! She included so many specific details that I bust out laughing every time I look at the drawing. Everything’s there, from Suki’s signature paw print collar and proud demeanor, Bridget’s white coat and scarf (and freckles), to my low and tight shooting technique. She’s even got Bridget flying much of that off-camera flash over Suki’s head, ensuring that there’s not too much spill heating up the lower portion of my frame. Brilliant! =)
A big thank you to my friend Cindy for this lovely work of art!
Suki and I headed out to the beach for a stroll along the water this evening after I got off work. The weather has been totally gloomy in San Francisco lately, however, so there wasn’t any dramatic light to make use of when arrived on sight. The test shot I took of her above gives you an indication of what kind of light was out there tonight. Blegh…Suki knows it too.
There was simply too much wind to use any sort of large light modifier, so I had to add some light in with my bare strobes. What to do? Thought I’d create a sunset-like effect with a single SB-900 placed maybe 20 or 30 feet from our position. Here’s how it turned out:
Placed a full cut of orange gel (CTO) over the bare SB-900 to give it the orange glow you’d expect from the sun when it’s low on the horizon. See? Flash doesn’t have to look like “flash,” right?
Now Suki is getting into it!
Nikon D300s + Tokina 11-16mm f/2.8
This past weekend after our week 30 photo shoot, we relaxed at a nearby park with Suki, the camera, and my favorite coffee ever. I mentioned this in my previous post, but the above image is a good example of how you can make your subject appear larger than they are in real life. I shot this photo from a position much lower than Suki’s, and with my lens racked out to it’s longest 300mm focal length, which increases her prominence in the frame.
That morning we actually ran into two other Shibas! One was a red one like Suki. The other, named Akahi, was black with some sesame mixed in:
They were perfect for each other! At one point I couldn’t help but whip out my phone and get a clip of them playing:
This is HD video from the iphone 4 (change the resolution to 720p above for best results). If you look closely you can see that Suki is actually on leash when she takes off after Akahi. Towards the end of the clip you can see that my wife loses her grip on the leash and Suki just bounds away, dragging the leash along the grass. So funny =)
Found an optical defect in one of the inner elements of my Tamron 17-50mm /f2.8 VC a couple weeks ago. As soon as I discovered the problem, I shipped the lens over to a Tamron service center. I promptly received notice from Tamron that the issue would be repaired under warranty, but I’m still waiting for the lens to return. At first I thought I’d have a real tough time without the lens, but I must say that so far, I don’t miss those mid-range focal lengths very much at all. I think it’s because the 17-50mm range just doesn’t give you a whole lot of control over the perception of space and distance in a photograph.
I usually like to either expand foreground and background elements using an ultra-wide lens, or compress the foreground and background using a long telephoto. An example of the latter is seen in the image above. Shot at 165mm, you can really see how compressed the elements in the frame are, giving Suki a really powerful presence in the photo. In contrast, check out a similar image shot at 78mm:
See? Not quite as dramatic, right? Even Suki is disappointed, as you can see by her facial expression. Now if you really want to isolate your subject from the background, try an even longer focal length:
Same location, only with my lens at 280mm. The background gets so compressed at this focal length that it becomes unrecognizable, which completely isolates Suki in the foreground. This is the kind of creative control that a telephoto zoom lens can give you. So the next time you’re out taking photos, think about what you’re trying to accomplish before you start rotating that zoom ring. Are you zooming because you’d rather stay in one spot instead of moving closer to your subject, or are you trying to alter the perception of space and distance in your image? It’s almost always best to consider the latter first.
Ok, so it’s not that I don’t want my Tamron 17-50 anymore. It’s usually the lens I grab first if I have no idea what I’m going out to shoot. But I know now that I can definitely live without that focal range.
Camera Specs: Nikon D300s + Nikkor AFS 70-300mm f/4.5-5.6 VR