Posts Tagged ‘review’
I’ve been using the Canon G1 X Mark II as my primary grab and go digital camera for the last few months. My initial impressions were already pretty favorable, and I’m happy to say that it’s grown on me even more now that I’ve been shooting with it for a while.
It probably won’t dethrone my all time favorite digital camera, but it’s got a well deserved place in the camera bag:
All Images: Canon G1 X Mark II | VSCO
I’ve been shooting with Canon’s brand new flagship Powershot camera this week, the G1 X Mark II. The original G1 X didn’t really interest me at all. This camera, however, is a different story.
I’m still assessing its abilities, but right off the bat I’m impressed with the image quality. The RAW files respond well to one of my favorite VSCO presets, Velvia 50, which I used to process most of these shots.
The video mode isn’t very robust, but the quality is pretty good. Footage below was shot hand-held with the camera set to 1080/30p. You can check out more footage on my Youtube channel as well.
I’m really liking this camera so far. It’s pretty quick and responsive, I love the dual control rings, and the 24-120mm f/2-3.9 lens is fast and flexible. Can’t wait to spend more time with this thing!
A colleague of mine let me borrow a very interesting lens this past weekend. Apparently he sent an old compact film camera, equipped with a fixed 28mm wide-angle, to an outfit in Japan. They removed the camera’s glass and built an M-Mount lens around it, complete with aperture control, focus tab, and a distance scale.
The result is a very nicely made, body cap of a lens that makes a Leica camera feel strangely light-weight in use. More interesting than the somewhat unusual ergonomics, however, are the fun results you get from this optic (the lens actually vignettes more as you stop it down). In practice, this rangefinder/lens cap lens combo just begs to be shot from the hip. Set it to f8, zone focus, and treat it like a little point and shoot street cam. Extremely fun.
A black and white conversion seemed like a good fit for the resulting images, and I used this opportunity to run the raw files through a new set of film emulation presets I’m trying. The folks at Totally Rad were nice enough to let me download a copy of Replichrome for Lightroom, a suite of 134 film emulating presets with custom profiles for 386 cameras. I’m told that Totally Rad will update their custom profiles with each update release for Lightroom / ACR, which is very cool.
I plan to do a lot more testing with Replichrome, but for now here’s a sampling of their excellent Kodak 400CN and 400CN+ film presets (the “+” variant simulates the look of the film in reaction to overexposure). It’s clear that a lot of work went into developing this software, and I’m pretty impressed with what I’m seeing so far:
All Images: Leica M9 | Some Weird 28mm Watchumacallit M-Mount Lens | Replichrome Kodak 400CN
Spent some time behind Sony’s hot new RX100 Mark II over the last couple of days. I’m still waiting on RAW support so I can really see what these files have to offer, but even the JPEG files from the camera that I’m posting here look pretty good to me. For a camera that easily slips into a small pocket, I’m very impressed.
The above shot of the Bay Bridge was taken hand held at about 1/15 of a second at ISO3200. That’s a pretty sensitive 1″ sensor they packed into this little guy. The RX100 II is so good that I’m pretty sure I could take it on a trip as my only camera and be perfectly happy. This is a serious imaging machine!
All Images: Sony RX100M2
Logged more time with Sony’s powerhouse of a compact camera this weekend. This thing is a serious imaging machine!
Do I love it? Yes. The image quality is absolutely stunning, as expected, and the camera’s build quality is top notch. But I only borrowed this thing to keep me occupied while I waited for my rangefinder to come out of repair. Once I get my M3 back, I doubt I’ll miss the RX1. =)
All Images: Sony Cybershot DSC-RX1
Sony RX1 | 1/30 sec, f/2, ISO 6400
Got my hands on a brand spanking new Sony RX1 this evening! Despite the high price and the little time I’ve actually spent with this camera so far, I can already tell the RX1 is going to make some waves. It’s basically a point and shoot, and in practice it operates just like you’d expect a compact camera to operate. The fact that it’s packing a 35mm film-sized sensor, however, is just crazy considering how incredibly small the camera actually is.
Sony RX1 | 1/50 sec, f/2, ISO 800
Built into the RX1 is a nice chunk of Zeiss glass, a 35mm f/2 Sonnar. You won’t be swapping lenses with this thing, which actually doesn’t bother me too much since I’ve been shooting with my fixed-lens Fuji x100 for such a long time. What does bother me is that the RX1 costs more than double what I paid for the x100. Ouch.
Sony RX1 | 1/80 sec, f/2, ISO 3200
Sony RX1 | 1/40 sec, f/2, ISO 6400
I’ll need to wait until Adobe releases RAW support for the RX1’s files before I can post process the camera’s output myself. For now, the images in this post are all camera-processed JPEGs.
These images where shot hand-held at very high ISO. Pretty impressive performance low-light performance, which is not too surprising considering the big fat sensor Sony stuffed into this thing. More impressions to come on the RX1 as I evaluate it over the next week. Stay tuned!
I had a chance to shoot with the brand new Nikon D600 this weekend. It’s so new that I have no way to post process the camera’s RAW files on my computer, so the frames in this post are camera-processed JPEGs with a little oomph added to them in Lightroom.
The D600 feels just like using a slightly heavier, fatter D7000 with an FX format sensor. Typical of Nikon’s latest digital cameras, the image quality is quite fantastic, but a couple of things immediately bugged me with this camera. First of all, the AF system covers a very small center portion of the viewfinder compared to most other DSLRs, and in practice it seems a little silly selecting between the 39 AF points, all of which are sardined into that little center area.
The other thing? Maximum native flash sync on the D600 is 1/200 instead of the 1/250 I’m used to with Nikon bodies. The small flash lover in me goes “awwwwwwwwww.”
Of course, there’s a lot to like about the camera too. It’s relatively small and light weight for a full frame shooter, it’s packin’ an awesome sensor, and the price makes FX more accessible than ever before. But eh, I already have a compact full framer that I’m pretty happy with =)
Images: Nikon D600 + Nikkor 28mm f/1.8G / Nikkor 50mm f/1.8G