Posts Tagged ‘street photography’
Been messin’ around with the Ricoh GR this week. Large APS-C chip, sharp 28mm equivalent optic, super small magnesium body. Good stuff.
One of my favorite features is the camera’s snap focus mode, which lets you easily preset a focus distance. Then you just stop it down, select a fast enough shutter speed, hang the camera low every now and then and jam on the shutter. Not a bad way to get a bunch of random photos of Suki running this way. And that way. And this way again.
Oops. Did I mention selecting a fast enough shutter speed? The GR’s handy TAv mode allows you set both shutter speed and aperture manually while the camera floats the ISO up and down automatically. You get the depth of field and motion-stopping control you want without having to worry about your exposure, which is pretty handy when you’re chasing a Shiba Inu though an intersection with the camera. Overall, I’m pretty impressed!
All Images: Ricoh GR | VSCO 04 Velvia 50
A colleague of mine let me borrow a very interesting lens this past weekend. Apparently he sent an old compact film camera, equipped with a fixed 28mm wide-angle, to an outfit in Japan. They removed the camera’s glass and built an M-Mount lens around it, complete with aperture control, focus tab, and a distance scale.
The result is a very nicely made, body cap of a lens that makes a Leica camera feel strangely light-weight in use. More interesting than the somewhat unusual ergonomics, however, are the fun results you get from this optic (the lens actually vignettes more as you stop it down). In practice, this rangefinder/lens cap lens combo just begs to be shot from the hip. Set it to f8, zone focus, and treat it like a little point and shoot street cam. Extremely fun.
A black and white conversion seemed like a good fit for the resulting images, and I used this opportunity to run the raw files through a new set of film emulation presets I’m trying. The folks at Totally Rad were nice enough to let me download a copy of Replichrome for Lightroom, a suite of 134 film emulating presets with custom profiles for 386 cameras. I’m told that Totally Rad will update their custom profiles with each update release for Lightroom / ACR, which is very cool.
I plan to do a lot more testing with Replichrome, but for now here’s a sampling of their excellent Kodak 400CN and 400CN+ film presets (the “+” variant simulates the look of the film in reaction to overexposure). It’s clear that a lot of work went into developing this software, and I’m pretty impressed with what I’m seeing so far:
All Images: Leica M9 | Some Weird 28mm Watchumacallit M-Mount Lens | Replichrome Kodak 400CN
Just got two rolls of very different black and white films back from the lab. First up is a roll of T-MAX 100. The film’s low speed allows me to shoot at wider apertures on my M3 during the day, and its fine grain makes for some really clean output. It’s an excellent choice for shooting black and white with a high speed lens:
^My cousin Josh, heavily armed.
Ok, on to the Fuji Neopan 400. The Neopan’s punchier contrast seems to suit my shooting style pretty well, and it looks to be a great choice for shooting in dramatically lit environments. Here are a few select frames from that roll:
These will be my last two rolls for a bit while I wait for my camera to come back from repair. She’s getting her rangefinder realigned, which is supposed to take about a week…. A week too long!!!
Leica M3 + 50mm f/1.4 Summilux | Kodak T-MAX 100 / Fuji Neopan 400 | Process + Scan by Light Waves Imaging