Posts Tagged ‘Tamron 17-50 VC’
[ Nikon D300s + Tamron 17-50mm f/2.8 VC at 50mm f/2.8 1/25 second ISO800]
This happened a little while ago, but I’ve been so busy that I haven’t had a chance to post about another of my wife’s recent performances. She spent some time this year training at the Jazz School in Berkeley, California. The training included a performance at the school’s Jazz Cafe, where she had the opportunity to put on a show in front of a full house, together with three very talented instrumentalists.
I roamed around with my latte in one hand and camera in the other, snapping away as the performance continued:
[ Nikon D300s + Tokina 11-16mm f/2.8 at 11mm f/2.8 1/40 sec ISO1600]
[ Nikon D300s + Tamron 17-50mm f/2.8 VC at 50mm f/2.8 1/50 sec ISO1600 ]
[ Nikon D300s + Nikkor 35mm f/1.8G at f/2 1/160 sec ISO1600 ]
Bridget sang two beautiful jazz pieces!
[ Nikon D300s + Tamron 17-50mm f/2.8 VC at 50mm f/2.8 1/60 sec ISO800]
Some other people sang too, but I didn’t come for them
[ Nikon D300s + Tokina 11-16mm f/2.8 at 11mm f/2.8 1/30 sec ISO1600]
The crowd actually goes way farther back than I’ve shown here. It was packed inside! Many in the audience were friends and family that showed up to support Bridget’s portion of the performances.
[ Nikon D300s + Tamron 17-50mm f/2.8 VC at 50mm f/2.8 1/20 sec ISO800]
I’m always all for my wife pursuing her love of music whenever she can. I know that in photography, you gotta keep shooting to keep improving, and it’s important spend as much time as you can taking the kind of photographs that you enjoy taking in order to keep your passion for the craft alive. Same thing in the art of music it seems. Bridget seems to get better and better with every performance. One thing is for sure: wherever and whenever she performs, I’ll be right there with her, camera in hand.
Got a call yesterday from Jasmine Libatique, a local singer/songwriter here in San Francisco, requesting a photo shoot for her upcoming album entitled Dreaming Away. Her album is still in the recording stage of development, but she wanted to start compiling some concepts for her album artwork.
San Francisco’s Mission District is filled with cool urban art, and Jasmine selected one of the Mission’s many murals to incorporate into the shoot. This will be the first of likely several different concepts we will attempt before she makes a final selection of images to include in her album.
It was a very last-minute shoot! Had to rush home after work and quickly grab whatever gear I could get my hands on before heading out to the Mission District before the sun went down. My SB-800 unit failed on me due to bad batteries during the shoot. I was using it as a commander so I could get my command pulses firing behind or above me to my remote SB-900. Without it, I had to bounce the command signal from my camera’s pop-up off my free hand towards the remote unit. It actually worked! It also made me think a little more about how nice it would be to have radio triggers. Anyway, despite the rushed nature of the job, we had a great time!
Want to get a preview of Jasmine’s music? Head on over to her Fanpage, where you can listen to all the songs on her upcoming album. Become a fan!
Also, check out more images from this shoot on my website!
I realized, after posting the photo above to Flickr, that it’s very likely that Bridget was the one who actually took it! I was using my D300s with the Tokina 11-16 fitted when we arrived at this scene in the Maruyama area of Kyoto. She had the Canon S90 on her, and while I did ask her to hand it over a few times to get some shots in this area myself, I can’t remember for sure if I actually took this one. Oh well! This image was processed in-camera using the S90′s “Film” color mode, and I added a touch of vignette in Lightroom 3 beta. So Bridge, if you took this, good job!
Speaking of which, Bridget did take a lot of fantastic photos with the S90 during our trip. She really took to the camera because it’s such a joy to use. I would set up a white balance appropriate for the scene for her, set the camera to Program Auto (usually), and program the control ring around the S90′s barrel to adjust exposure compensation. Then I simply told her:
“If it’s too bright, twist the dial this way. If it’s too dark, twist it that way.”
With that awesome control ring allowing easy access to exposure comp adjustment, she was able to focus on composing, and the camera stayed out of her way (the control ring is that black bezel you see around the lens in the image above, and is the S90′s coolest feature). I often used the camera in the exact same way myself. The S90 tends to expose a little hotter than I prefer, so I’m usually dialing in at least -1/3 EV when I’m shooting with it (the above shot has a -4/3EV dialed in by either me or Bridget, can’t remember!). I also found that it was a lot of fun to use the S90 in full manual. The control ring around the lens would set aperture, and the control wheel on the back would set shutter speed. Wow! I felt like I was using a film camera again! The combination of seeing the live view preview, a live histogram, and a live EV read-out on the LCD while composing made it dead simple to nail the exposure I wanted every time. No compact camera has ever given me a control experience like this one!
Here are a couple sample photos that show how great the JPEGs produced straight from the camera look from the Canon S90 (neither of these were adjusted in post):
I finally feel like I have a true compact camera with the control and feature set that can be utilized and appreciated by both a beginner and a more advanced photographer. Good job Canon!
So anyway, we were heading up to this huge temple in Maruyama-cho. To get to it, you had to scale these ridiculously steep stairs. The first image was the view from the bottom. Here’s what it looks like from the top:
I’m not sure this image really tells you just how steep these stairs were, but they were STEEP. Worth the climb, however. =)
Top Image: Canon S90
Second Image: Nikon D300s + Tamron 17-50mm f/2.8 VC
Third and Forth Image: Canon S90
Fifth Image: Nikon D300s + Tokina 11-16mm f/2.8
This weekend I did a little photo session at a friend’s house. They have a little 14 month old boy named Nomar. He’s adorable, has a great personality, and we had a lot of fun. Bringing Nomar’s favorite toy, a little Luigi, made him a very cheerful little guy, and really helped during the shoot.
He and his mom photograph really well! For the more “formal” family shots on the couch, I used a 3′ by 3′ Lastolite skylite panel on a C-stand, with two speedlights firing through it. A reflector on the floor gave some fill from below.
Nomar was even goofier when with his Dad, mostly because mommy was behind me making him laugh. He seemed to be really fascinated by my camera too.
Of course, his Dad knew how to make sure he had a blast during the session too. I used the skylite panel and a tri-grip diffuser over the window to soften the harsh light for the natural light photos.
I thought it was pretty cool that father and son had matching outfits. Very cool!
Nomar’s other favorite toy besides a plush Luigi? His mother’s cell phone!
Don’t break it now!
In all, I have about 80-90 photos ready for the family, which I’m still processing. These are a few “previews” from the shoot. So much work to do!
Camera Specs: Nikon D300s + Tokina 11-16 f/2.8, Tokina 50-135 f/2.8, Tamron 17-50 f/2.8 VC, Nikkor 35mm f/1.8G