I’ve been shooting with Canon’s brand new flagship Powershot camera this week, the G1 X Mark II. The original G1 X didn’t really interest me at all. This camera, however, is a different story.
I’m still assessing its abilities, but right off the bat I’m impressed with the image quality. The RAW files respond well to one of my favorite VSCO presets, Velvia 50, which I used to process most of these shots.
The video mode isn’t very robust, but the quality is pretty good. Footage below was shot hand-held with the camera set to 1080/30p. You can check out more footage on my Youtube channel as well.
I’m really liking this camera so far. It’s pretty quick and responsive, I love the dual control rings, and the 24-120mm f/2-3.9 lens is fast and flexible. Can’t wait to spend more time with this thing!
From my latest roll of black and white.
Leica M3 + 50mm f/1.4 Summilux | Kodak Tmax 100
If you’ve been following my blog for the last few years, you know I love this place. Vince Donovan, one of the owners, helped me revive my dad’s old Land Camera on my second visit to the shop. I blame him for getting me hooked on shooting pack film. I discovered quirky cameras like the Lomokino at Photobooth, and connected with some really cool local artists as well. So yeah, I’m pretty bummed that its doors are closing.
But what better way to say goodbye to this truly unique studio than to have your tintype taken? Bridget had hers done a couple times before, but this is the first time I’ve been immortalized on a metal plate. We walked out with of total of eight tintypes, all brilliantly crafted by the super talented Michael Shindler.
So long, Photobooth, and thank you!
Been messin’ around with the Ricoh GR this week. Large APS-C chip, sharp 28mm equivalent optic, super small magnesium body. Good stuff.
One of my favorite features is the camera’s snap focus mode, which lets you easily preset a focus distance. Then you just stop it down, select a fast enough shutter speed, hang the camera low every now and then and jam on the shutter. Not a bad way to get a bunch of random photos of Suki running this way. And that way. And this way again.
Oops. Did I mention selecting a fast enough shutter speed? The GR’s handy TAv mode allows you set both shutter speed and aperture manually while the camera floats the ISO up and down automatically. You get the depth of field and motion-stopping control you want without having to worry about your exposure, which is pretty handy when you’re chasing a Shiba Inu though an intersection with the camera. Overall, I’m pretty impressed!
All Images: Ricoh GR | VSCO 04 Velvia 50
My last blog post of 2013 is dedicated to a photo I took of Suki back in 2010. This image became part of one of the biggest memes of the year, thanks in part to the comic sans someone graced it with before sending it off into viral internetlandia.
In fact, The Verge just ran this article today about the origin of the meme, which includes a touching story about Kabosu the Shiba Inu as well as excerpts from an interview with yours truly. Check it out!
Looking back on the night I took this photo, I remember how hilariously difficult it was to work with Suki. Think she was the perfect little model during my 52 Weeks Project? Think again:
Many pose. Such uncooperative. Wow.
One does not simply repeat a project like this year after year, but Suki still spent plenty of time in front of my cameras in 2013. This was the year of pack film adventures with my Land Camera and black and white photos with my old rangefinder, at least for my personal photography.
Big thanks to all who stopped by the blog this year. Stay tuned for more Suki adventures in 2014!
My nephew Julian is two years old now! I took some photos of him over the weekend at one of the parks I used to frequent when I was his age. Such a happy little booger, this one.
Nikon D800 + Nikkor AF-S 58mm f/1.4G
I haven’t experimented with bokeh panorama shots in quite a while. A nice manual focus f/0.95 lens was all the inspiration I needed to have another go at this quirky method of shooting. Both of these shots are multi-panel stitches taken with the lens wide open.
I was actually going for a full length portrait for the image above. Unfortunately, the photomerge process somehow made her feet disappear into Photoshopland. This is certainly not an exact science :)
Panasonic Lumix GX7 | Voigtlander 25mm f/0.95