This post is a little bit of a throwback. Growing up in San Francisco, I was always fascinated by the old buildings in the Mission District, particularly the old theaters. I took these images in 2012. The city’s rapid gentrification made quick work of these beautiful but derelict structures, and most of what you see here is either gone or significantly altered today. The “New Mission” sign below? Yeah, that’ll stick around, after being refreshed and then squished right up against a massive luxury condo development.
Leica M9 + 28mm Summicron | VSCO Velvia 50
Suki was an honored guest at the 18th Annual Webby awards for her involvement as the hipster scarf version of the doge meme. This, of course, meant a whirlwind trip for Team Suki to New York City last weekend.
After exploring New York with her for the first time, we were driven straight to the red carpet, which was quite the surreal experience. Suki was her calm and confident self as dozens of press photographers pummeled us with a flurry of flash strobes. She even took a couple of interviews along the way:
We spent some time back stage with the production crew, who set up photos with a bunch of Webby Award winners and other celebrities on hand during the show.
Suki met host Patton Oswalt…
…and George Takei (super nice guy, by the way)
…the folks from BuzzFeed
…the Jamaican bobsled team
….astronaut Mike Massimino
…Questlove and De La Soul
Bridget and I were hard at work handling Suki and keeping her fixated on the cameras. Fortunately, the three of us have a ton of experience with this kind of thing
See the silver camera that photographer is holding up in the image above? That’s the brand spanking new and oh-so-beautiful Leica T. Leica was on hand to cover the event, so there were Leica cameras evvvveerryywheeere.
Since Leica was an official sponsor, they provided the swag for the Webbys. I couldn’t have asked for a better swag bag, which includes an actual Leica C camera.
Suki enjoyed the attention and the posh accommodations. Bridget and I are exhausted. Back to normal life now.
It occurred to me recently that the last time I shot a roll of Velvia was about two years ago! Though I’ve been loving VSCO’s Velvia 50 preset, there’s nothing quite like shooting the real deal. Finally got through a roll this past week and had the results scanned and mounted.
Of course, the best way to enjoy 35mm slides is to run them through a projector. Fortunately, we’ve had one in the family for many years. Despite being just about as old as the camera I used to shoot these slides, it still works beautifully. Looking forward to filling some empty projector magazines
Leica M3 + 50mm f/1.4 Summilux | Fujichrome Velvia 50
I’ve been shooting with Canon’s brand new flagship Powershot camera this week, the G1 X Mark II. The original G1 X didn’t really interest me at all. This camera, however, is a different story.
I’m still assessing its abilities, but right off the bat I’m impressed with the image quality. The RAW files respond well to one of my favorite VSCO presets, Velvia 50, which I used to process most of these shots.
The video mode isn’t very robust, but the quality is pretty good. Footage below was shot hand-held with the camera set to 1080/30p. You can check out more footage on my Youtube channel as well.
I’m really liking this camera so far. It’s pretty quick and responsive, I love the dual control rings, and the 24-120mm f/2-3.9 lens is fast and flexible. Can’t wait to spend more time with this thing!
From my latest roll of black and white.
Leica M3 + 50mm f/1.4 Summilux | Kodak Tmax 100
If you’ve been following my blog for the last few years, you know I love this place. Vince Donovan, one of the owners, helped me revive my dad’s old Land Camera on my second visit to the shop. I blame him for getting me hooked on shooting pack film. I discovered quirky cameras like the Lomokino at Photobooth, and connected with some really cool local artists as well. So yeah, I’m pretty bummed that its doors are closing.
But what better way to say goodbye to this truly unique studio than to have your tintype taken? Bridget had hers done a couple times before, but this is the first time I’ve been immortalized on a metal plate. We walked out with of total of eight tintypes, all brilliantly crafted by the super talented Michael Shindler.
So long, Photobooth, and thank you!
Been messin’ around with the Ricoh GR this week. Large APS-C chip, sharp 28mm equivalent optic, super small magnesium body. Good stuff.
One of my favorite features is the camera’s snap focus mode, which lets you easily preset a focus distance. Then you just stop it down, select a fast enough shutter speed, hang the camera low every now and then and jam on the shutter. Not a bad way to get a bunch of random photos of Suki running this way. And that way. And this way again.
Oops. Did I mention selecting a fast enough shutter speed? The GR’s handy TAv mode allows you set both shutter speed and aperture manually while the camera floats the ISO up and down automatically. You get the depth of field and motion-stopping control you want without having to worry about your exposure, which is pretty handy when you’re chasing a Shiba Inu though an intersection with the camera. Overall, I’m pretty impressed!
All Images: Ricoh GR | VSCO 04 Velvia 50