Posts Tagged ‘black and white’
A fascinating collection of art instillations by Ai Weiwei brought us to Alcatraz today. Had a blast photographing the incredible artwork, and the early morning light had me chasing shadows all over the island:
Fuji X100s | Velvia/BW + Red Filter Modes
A colleague of mine let me borrow a very interesting lens this past weekend. Apparently he sent an old compact film camera, equipped with a fixed 28mm wide-angle, to an outfit in Japan. They removed the camera’s glass and built an M-Mount lens around it, complete with aperture control, focus tab, and a distance scale.
The result is a very nicely made, body cap of a lens that makes a Leica camera feel strangely light-weight in use. More interesting than the somewhat unusual ergonomics, however, are the fun results you get from this optic (the lens actually vignettes more as you stop it down). In practice, this rangefinder/lens cap lens combo just begs to be shot from the hip. Set it to f8, zone focus, and treat it like a little point and shoot street cam. Extremely fun.
A black and white conversion seemed like a good fit for the resulting images, and I used this opportunity to run the raw files through a new set of film emulation presets I’m trying. The folks at Totally Rad were nice enough to let me download a copy of Replichrome for Lightroom, a suite of 134 film emulating presets with custom profiles for 386 cameras. I’m told that Totally Rad will update their custom profiles with each update release for Lightroom / ACR, which is very cool.
I plan to do a lot more testing with Replichrome, but for now here’s a sampling of their excellent Kodak 400CN and 400CN+ film presets (the “+” variant simulates the look of the film in reaction to overexposure). It’s clear that a lot of work went into developing this software, and I’m pretty impressed with what I’m seeing so far:
All Images: Leica M9 | Some Weird 28mm Watchumacallit M-Mount Lens | Replichrome Kodak 400CN
Road trips are the best. We just got back from our latest long drive, and this time we even brought Suki along. So. Much. Fun.
Though I brought the pack film shooter and the M3 along for the trip, I did a bulk of my vacation photography in digital this time around. Here, in reverse chronological order, is a series of photos I took during the course of my trip with the Fuji X100s. All color photos are out of camera JPEGs using the camera’s “standard” picture control setting. Black and whites are also processed by the camera using the its red filter mode.
The wife took the image above of me trying to do a Photosphere with my camera phone.
The beaches along the Oregon coast are breath taking. Early morning light falling on massive rock formations on the sand made for some interesting black and white photos. I felt like I was on a different planet at times:
We made sure Suki had her fair share of hikes and meet ups:
Well, those are my digital highlights. A couple rolls of 35mm are at the lab from the trip, so we’ll see how those turn out =)
All Images: Fuji X100s
Between shooting pack film and and just being busier than ever, my 35mm gear has seen very little use these days. In fact, I’ve had the same roll of black and white in my Leica for like three months! After running through the last few frames this past week, I finally got the roll developed at my local lab.
When you leave a roll of film in the camera for this long, you tend to forget much of what you’ve shot. In a way that’s pretty cool, because when you finally have your first look at the developed film, it’s like rediscovering your very recent past. Tiny glimpses.
Or, just a lot of photos of my wife and my dog =)
Just got two rolls of very different black and white films back from the lab. First up is a roll of T-MAX 100. The film’s low speed allows me to shoot at wider apertures on my M3 during the day, and its fine grain makes for some really clean output. It’s an excellent choice for shooting black and white with a high speed lens:
^My cousin Josh, heavily armed.
Ok, on to the Fuji Neopan 400. The Neopan’s punchier contrast seems to suit my shooting style pretty well, and it looks to be a great choice for shooting in dramatically lit environments. Here are a few select frames from that roll:
These will be my last two rolls for a bit while I wait for my camera to come back from repair. She’s getting her rangefinder realigned, which is supposed to take about a week…. A week too long!!!
Leica M3 + 50mm f/1.4 Summilux | Kodak T-MAX 100 / Fuji Neopan 400 | Process + Scan by Light Waves Imaging
Spent a little time this past weekend with my cousin Josh and his wife Vanessa, who was diagnosed with cancer right before they got married in Colombia last year. Together they overcame the disease, and I couldn’t be happier for them. Vanessa is as strong as she is beautiful.
Having Josh around again in the flesh has sparked a lot of reminiscing about our childhood together. We were some silly kids back in the day. Good times.
So I’ve been shooting a lot of black and white lately, which at the moment I prefer over color film. Maybe it’s just a phase. =)
This particular role of Tri-X took me a while to get through, but here goes: