Posts Tagged ‘Jenny Lewis’
The weekend was a whirlwind. One day in LA with my cell phone as my only camera and my picture taking almost exclusively limited to a concert venue. I feel like I might be getting a little old for super-fast trips like this (so. very. tired.), but hey, we’re still happy to go out of our way to see Jenny in concert.
All Images: Motorola Moto X | Google Camera + VSCO Cam
The incredibly talented Jenny Lewis played this weekend with the Watson Twins, Johnathan Rice, Farmer Dave, and Nik Freitas at the Swedish American Hall in Cafe du Nord here in San Francisco. It was Jenny at her best, and this show was probably one of my favorites ever, right up there with the concert she did at the House of Blues. Front row seats are awesome for taking a few photos and grabbing one of the set lists at the end of the show.
Just a word on the Fuji XPRO-1. This thing has some staggering low-light performance. Just give the AF something contrasty to lock on to, and the camera returns some amazing files! 🙂
All Images: Fuji XPRO-1 + 35mm f/1.4 XF R and 18mm f/2 XF R
Out of camera files using the XPRO’s B&W film simulation (green filter)
Nikon D700 + Nikkor AFS 50mm f1.4G : 1/250 sec, f/2.2, ISO 3200
We always make sure to get a front row spot when we check out Jenny Lewis in concert (see past posts about Jenny here), but this recent show in the SF Bay Area the absolute closest I’ve ever been to her on stage. She could have swung that fret board around and smacked me in the face!
As always, I try to keep the gear minimal at shows like this. My DSLR with one 50mm prime, and the E-PL2 in my pocket just in case the venue gives me a hard time for having a “professional camera.”
Nikon D700 + Nikkor AFS 50mm f1.4G : 1/80 sec, f/2, ISO 4000
Taken at 50mm on a full frame body, you KNOW this was close!
Would have loved to have the 24mm f/1.4 with me to get more context and to achieve some different looks, but I left it at home. That’s ok. Depending on the lighting, which was changing constantly, all you could see behind the performers from my vantage point was a lot of f/0, ISO kabillion.
In typical Jenny and Johnny fashion, though, the performers moved around the stage enough to let me vary my shots a little.
A very cool show, as always!
I adore Jenny Lewis. Been following her work for a while, from going to concerts here in SF to see her with Rilo Kiley, flying to Louisiana to see her at the House of Blues during her Acid Tongue tour, and last night, seeing her perform at the Great American Music Hall in San Francisco…from the front row no less!
Bridget may be a big Jenny fan, but she’s small in the height department, so getting the front row is critical for viewing the show (and killing your ears…agh). I thought I was close to the stage at the House of Blues, but wow, this time I was REALLY close. Close enough to set a drink down on the stage or even get a clear view of the set list. Awesome!
I’m never sure if cameras are allowed at venues that I have yet to visit, and this event was no exception. I therefore decided to limit myself to two of my smallest prime lenses to stay inconspicuous. Well, turns out photography was permitted without flash, so I was stuck to one shooting position in a sold out crowd with only two focal lengths at my disposal.
So it was either really really wide or moderate telephoto for the night. But hey, nothing sucks in light better than a fast prime, so I wasn’t complaining. =)
This is our “oh yeah, front row!” look.
The concert was a blast. Jenny was cute as ever, and her vocal talent and song writing is just amazing. Come back to San Francisco soon, Jenny!
Camera Specs: Nikon D300s + Nikkor AFS 50mm f/1.4G // Nikkor DX 10.5mm f/2.8
I don’t think I’d ever buy plane tickets only weeks before flying out for a one night stay halfway across the country where temperatures easily exceed 100 degrees Fahrenheit, only to spend hours in various airports along the way because cheap tickets mean many connecting flights. Unless of course, I’m going to see Jenny Lewis.
My wife orchestrated this whirlwind trip after we missed seeing Jenny in concert at the Fillmore in San Francisco (it was my fault, but that’s another story). Jenny performed on June 26th 2009 at the House of Blues in the French Quarter area of New Orleans. Yes, this is old news, but hey, I just started this blog! We landed in Louisiana at dinnertime, had dinner at the venue’s own restaurant, enjoyed the concert, which ended around 11pm, woke up at 5am the next day and flew back home. That was it!
No cameras were technically allowed in the venue, which ruled out bringing my D90 to the event. But stealthy use of
my Lumix LX3 allowed me to grab some decent shots of the performance. Most of them I recorded in black and white, processed by the camera. There seemed to be too much of a mixture of color on the stage from multiple light sources, and so I felt that black and white captures were much more pleasing to the eye.
One thing I wish I could have done was do a photo walk through the French Quarter. But I had absolutely no time to do so unfortunately. One day I’ll have to return to gorge on some real southern cooking, and capture some great images of this interesting area. But NOT during the summer!
I couldn’t remember all of the songs that Jenny sang, but my wife remembered the following, in no particular order: See Fernando, Jack Killed Mom, Pretty Bird, Rise Up with Fists!!!, Happy (a slow version), The Charging Sky, You Are What You Love, Handle With Care, Trying My Best To Love You, Carpetbaggers, The Next Messiah, and an acoustic solo version of Silver Lining. The Encore was three (or 3.5) songs: a brief “Man in the Mirror” acapella tribute to Michael Jackson (RIP), Acid Tongue, a new song (didn’t catch the title), and Born Secular.
Though we were exhausted after our return home, and sick of airports (there were TWO connections on the way back), the experience was worth it. Life needs crazy spontaneity sometimes, and Jenny’s performance was stellar and unforgettable. She has an incredible stage presence, a great personality, and of course, a beautiful and unique voice.
You know what else was unforgettable? Losing my $500 dollar earphones somewhere along the trip. Ouch…