Posts Tagged ‘lightroom 3’
I recently watched a video that involved Photoshop guru Scott Kelby spending a day with Jay Maisel, a highly regarded photographer who lives in New York City. They explored the streets of Manhattan all day, cameras in hand, and Jay shared his extensive knowledge and experience the whole way through. I loved seeing such an experienced photographer talk about his methods and thought processes while out creating photos on the street. Seeing the way he interacted with people in order to get natural photographs of complete strangers was also a real treat.
There were tons of great points on improving your photography that Jay expounded on during the photo walk, but a few of them really stood out for me.
For example, he said that one of the greatest ways to improve your photography is to practice it regularly, daily if possible. This involves committing yourself to carrying a camera with you at all times. He mentioned that if the camera is with you, you’re improving your skill even if you don’t use it. How? Your awareness of your camera causes your eyes to search for interesting subjects while you’re out on the street, which helps hone a a key skill for a photographer: his or her ability to observe, anticipate, and react to what happens in an environment.
Another point I appreciated is that photographers should be more concerned with “picture quality” instead of “pixel quality.” He encouraged the use of high ISOs out on the street, even in relatively good light. Why? It keeps your shutter speed high, and gives you the depth of field and bracketing flexibility needed for capturing good frames in a highly dynamic environment like the streets of New York. Basically, it helps you “get the shot.” Sure, lower ISOs give you technically cleaner images, or better “pixel quality,” but our aim as photographers should be, once again, the “picture quality.” After all, what’s the point of a cleaner image if it’s blurry or you couldn’t nail the exposure? Jay typically shoots at ISO1600 on his Nikon D3 when out on the street (yes, having a D3 helps).
His lens of choice? The bargain-priced Nikkor 70-300mm f/4.5-5.6 VR. Does it matter to him that it’s not the sharpest, fastest, highest performing glass in Nikon’s lineup? Nope. He chose this lens for the photo walk because of its smaller size, lighter weight, and wide focal range. A good example of choosing an appropriate tool for the job.
As they roamed the streets, Jay demonstrated how highly tuned and focused his photographic eye is. He was catching moments, shapes, colors, and compositions in the environment that Kelby wasn’t even aware of. It really inspired me to get out and try exploring my own neck of the woods and looking for interesting things to photograph with these new points in mind.
So, on a day off last week and after having lunch with the wife out in the city, I started walking the neighborhood with my camera. I brought along a single lens (the 70-300), and slowly explored the neighborhood. Check out the gallery above for a sampling of what I came back with that day. Not really the best images I’ve ever taken (and WordPress degrades the quality on these unfortunately), but I had such a fulfilling time out there that I’m anxious to head out again for another photo walk and to continue developing my skills. I just wish I had more time!
In other news, I just found out that Adobe Lightroom 3 is officially out of Beta and available for download! It’s got great new features and runs much faster than before. If you’re a Lightroom user, you must check it out!
Alright, I finally did it. I broke down and gave HDR a try (click image above for large version). Creating a HDR or high dynamic range image involves blending multiple exposures together in order to display detail in the final image that would otherwise be lost in a single exposure. Our eyes are capable of looking at a scene with bright highlights and dark shadows and still see an immense amount of detail. Cameras simply don’t have that kind of ability, which is why blending exposures is useful when a scene contains very bright and very dark elements at the same time.
I set my D300s to automatically bracket a series of photos for me at 1 stop increments, and here’s what I got out of the camera:
Notice that if the sky looks good, the beach looks too dark. Conversely, if the sand looks detailed, the sky is blown out. There’s simply too much range for the camera to pick up detail in all areas of the frame. Yes, I suppose I could have used a split neutral density filter to even things out, but the purpose of this shoot was to experiment with HDR.
Exposure blending used to be extremely difficult, requiring the use of multiple layers, masks, and a whole lot of brush strokes to manually bring out detail in the HDR image. Nowadays, it’s dead simple. Photoshop has a “merge to HDR” feature built-in, but it’s not quite as good as standalone software like Photomatix Pro, which I used to merge this HDR image. All I had to do was drag the four bracketed images above straight from Lightroom 3 Beta 2 into Photomatix Pro, specify a few parameters, and POOF! It spit out an HDR image. Of course, what you see at the top of this post is not what you get right after the merge in Photomatix. I still had to tone map the HDR, then export it as a standard image file back into Lightroom for post-processing before it looked satisfactory.
I’m pretty excited about how easy the process was. My goal was to try to convey the scene the way my own eyes saw it, and I have to say that the final result looks very close to what I experienced that evening. Overall, I’m glad that I decided to give HDR a try, and I look forward using this photographic tool again.
Camera Specs: Nikon D300s + Tamron 17-50mm f/2.8 VC at f/13 ISO200, various shutter speeds.