Posts Tagged ‘lightroom’
I love what you can convey by presenting a spread of images together, as in a diptych or triptych. Some people are really good at putting images together that are distinctly different yet complimentary and story-telling. I’m not one of those people (I don’t really think I have that “artistic eye”), but I did sit down last night and combined put some photos in a way that hopefully says a little something about Suki.
One thing that can be accomplished with more than one image is the presentation of small details or fractions of a whole, that together, give the viewer a sense of the whole person, place, or object. I experimented with this concept in four images that don’t really reveal exactly what Suki looks like, but do give you a sense of her as a whole through the details that are presented. I dunno, I think it kinda sorta worked.
You can also present a sequence of events or actions using a polyptych (weird word). Suki does the most adorable yawn, but conveying what her yawn looks like pretty much necessitates that I show a series of photos in sequence.
After processing these photos in Lightroom 3 Beta, I opened each up in Photoshop to put them together. I just learned a dead simple way to do this. Assuming that each image is the same size and aspect ratio, all you need to do is extend the background layer’s canvas size by 100% in whichever direction you want to put the next image. Then, just copy and paste the next image on a new layer and drag it into place on the background layer. Sound confusing? Then head over to my cousin Josh’s blog for a video tutorial on diptychs.
Josh is my go-to guy for all my Photoshop needs. I only started working with Photoshop last year, but he’s been using it for easily over a decade for a variety of different art forms, including photography. A few weeks back I asked him how to add black bars to the top and bottom of my photos, and he sent me an email with screen shots that outlined how to do it step-by-step. I told him “Wow, wouldn’t it be cool if you did some sort of video tutorial on this?”
Soon after, what do you know! He posted a video tutorial on how to add black bars to the top and bottom of your photos. Cool! So I bugged him again and asked him to do another one on diptychs. The cool thing about his tutorials so far is that while there are dozens of ways to accomplish the same thing in a powerful and complex program like Photoshop, he endeavors to find and present the simplest and fastest method. I really appreciate this, as I’m the kind of person who likes to spend as little time as possible editing at the computer. You can find more how-to posts on his blog at http://jliba.wordpress.com.
Image Top: Nikon D300s + Micro Nikkor AFS 60mm f/2.8G
Image Bottom: Nikon D300s + Nikkor AFS 35mm f/1.8G
Desperate to spend whatever time I can taking photos despite my hectic schedule, I’ve started bringing my camera along with me everywhere I go, even to work! I took this shot of a small clover leaf during my lunch break yesterday.
Bridget had this Barbie made just for her, how cool is that? She’s made of porcelain instead of plastic, and her hair is meticulously hand-made. She asked me to take a few photographs of Barbie, and these are a few from the set I shot for her.
All of these images were made around the same time of day, using an SB-800 and SB-900, both bare and wirelessly (Nikon CLS) triggered . Different white balance settings and use of gels helped me change the color of the background, which is basically the sky through a window as the sun sets.
Bridget has a flickr set for all the Barbie’s she’s collected here.
Nikon D300s + AFS Micro Nikkor 60mm f/2.8, SB-800 + SB-900
Here are two more images from the photo shoot I blogged about yesterday. Bridget’s look is very similar in all three in the series, but I like the crop and posing differences between all three. In these two images, I introduced a small amount of skin softening using a masked 25 pixel gaussian blur layer in CS4. I don’t think her already soft skin needed this treatment, but I thought I’d give it a try. The result sort of reminds me of a makeup add in a Japanese fashion magazine.
I had a blast with this little portrait project! Check out more shots here.
I’m not really a stickler when it comes to distortion in my images, but a flickr buddy of mine recommended PTLens to me a couple weeks go, and after giving it a try tonight, I decided to purchase it. For a mere $25, you get a program that will correct lens pincushion/barrel distortion, vignetting, chromatic aberration, and perspective. You can technically achieve the same results in Photoshop, but what makes PTLens so special is how incredibly easy it is to correct an image. The first image above (top) is the corrected file from PTLens, and the second image is the original file. Notice the pretty apparent barrel distortion in the second image (vertical lines aren’t vertical), along with the perspective issues (the tops of the buildings seem to be leaning away from the camera), and how well these problems were fixed in the image above.
Here’s what the software looks like in action. PTLens has profiles set up for dozens of cameras and lenses (even for my Panasonic LX3!). It automatically pulls the camera and lens information from the image EXIF data, and based upon the lens’ unique distortion characteristics, applies the right amount of correction to barrel or pincushion distortion. I then manually dialed in a little vertical perspective correction, and that’s it! In seconds, I had corrected the image to my liking. I’m really excited about this new software, and plan to use it a whole lot for my photos, especially the ones that include architecture.
I took this photo this morning, after deciding to roll out of bed at 4:30am to catch the magic hour before dawn here in San Francisco. This is the black and white version of the same photo I’ll be posting on my flickr page. I set up out here at about 6:15am and waited for the sky to start changing color, which happened very suddenly at about 6:35am. I really wanted to stay longer, but I was parked at a metered parking spot that started at 7am. I also had to be at work by 8am, so I was long gone before the sun moved passed the eastern horizon. I really love shooting at dawn. It’s so peaceful and serene in the city before rush hour.