Posts Tagged ‘san francisco’
The rain has been keeping us mostly indoors for the last few days, but between the much needed showers in California, I found some time to chase Suki around using Fuji’s new Classic Chrome setting on the X100T. Some of the results actually remind me of the last roll of Portra I ran through my M3:
A fascinating collection of art instillations by Ai Weiwei brought us to Alcatraz today. Had a blast photographing the incredible artwork, and the early morning light had me chasing shadows all over the island:
Fuji X100s | Velvia/BW + Red Filter Modes
This post is a little bit of a throwback. Growing up in San Francisco, I was always fascinated by the old buildings in the Mission District, particularly the old theaters. I took these images in 2012. The city’s rapid gentrification made quick work of these beautiful but derelict structures, and most of what you see here is either gone or significantly altered today. The “New Mission” sign below? Yeah, that’ll stick around, after being refreshed and then squished right up against a massive luxury condo development.
Leica M9 + 28mm Summicron | VSCO Velvia 50
It occurred to me recently that the last time I shot a roll of Velvia was about two years ago! Though I’ve been loving VSCO’s Velvia 50 preset, there’s nothing quite like shooting the real deal. Finally got through a roll this past week and had the results scanned and mounted.
Of course, the best way to enjoy 35mm slides is to run them through a projector. Fortunately, we’ve had one in the family for many years. Despite being just about as old as the camera I used to shoot these slides, it still works beautifully. Looking forward to filling some empty projector magazines :)
Leica M3 + 50mm f/1.4 Summilux | Fujichrome Velvia 50
From my latest roll of black and white.
Leica M3 + 50mm f/1.4 Summilux | Kodak Tmax 100
If you’ve been following my blog for the last few years, you know I love this place. Vince Donovan, one of the owners, helped me revive my dad’s old Land Camera on my second visit to the shop. I blame him for getting me hooked on shooting pack film. I discovered quirky cameras like the Lomokino at Photobooth, and connected with some really cool local artists as well. So yeah, I’m pretty bummed that its doors are closing.
But what better way to say goodbye to this truly unique studio than to have your tintype taken? Bridget had hers done a couple times before, but this is the first time I’ve been immortalized on a metal plate. We walked out with of total of eight tintypes, all brilliantly crafted by the super talented Michael Shindler.
So long, Photobooth, and thank you!