Posts Tagged ‘Velvia 50’
A few weeks back we took a quick drive out to Yosemite. The park was its typical beautiful self, only there was a huge wildfire raging that day. Huge clouds of smoke billowed from behind the Half Dome and could be seen from just about anywhere we happened to be throughout our one-day visit.
As the sun fell, the plumes of smoke lit up in a beautiful, purplish hue, and we pulled to the side of the road to catch a stunning sunset.
I definitely have to come back for a more leisurely visit next time.
Images: Nikon Df + Nikkor 50mm f/2 AI | VSCO 04 Velvia 50
This post is a little bit of a throwback. Growing up in San Francisco, I was always fascinated by the old buildings in the Mission District, particularly the old theaters. I took these images in 2012. The city’s rapid gentrification made quick work of these beautiful but derelict structures, and most of what you see here is either gone or significantly altered today. The “New Mission” sign below? Yeah, that’ll stick around, after being refreshed and then squished right up against a massive luxury condo development.
Leica M9 + 28mm Summicron | VSCO Velvia 50
It occurred to me recently that the last time I shot a roll of Velvia was about two years ago! Though I’ve been loving VSCO’s Velvia 50 preset, there’s nothing quite like shooting the real deal. Finally got through a roll this past week and had the results scanned and mounted.
Of course, the best way to enjoy 35mm slides is to run them through a projector. Fortunately, we’ve had one in the family for many years. Despite being just about as old as the camera I used to shoot these slides, it still works beautifully. Looking forward to filling some empty projector magazines 🙂
Leica M3 + 50mm f/1.4 Summilux | Fujichrome Velvia 50
Been messin’ around with the Ricoh GR this week. Large APS-C chip, sharp 28mm equivalent optic, super small magnesium body. Good stuff.
One of my favorite features is the camera’s snap focus mode, which lets you easily preset a focus distance. Then you just stop it down, select a fast enough shutter speed, hang the camera low every now and then and jam on the shutter. Not a bad way to get a bunch of random photos of Suki running this way. And that way. And this way again.
Oops. Did I mention selecting a fast enough shutter speed? The GR’s handy TAv mode allows you set both shutter speed and aperture manually while the camera floats the ISO up and down automatically. You get the depth of field and motion-stopping control you want without having to worry about your exposure, which is pretty handy when you’re chasing a Shiba Inu though an intersection with the camera. Overall, I’m pretty impressed!
All Images: Ricoh GR | VSCO 04 Velvia 50